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Todd Boekelheide
The Blood of Heroes: Original Soundtrack
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Todd Boekelheide - The Blood of Heroes: Original Soundtrack
Title: The Blood of Heroes: Original Soundtrack MP3, WMA, MPC, OGG, M4A, FLAC
Artist: Todd Boekelheide
(c): (C) 1995 Intrada
(p): (P) 1995 Todd Boekelheide
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Digital release date:
10.98 $
2005-12-16

Track: Artist: Length: Price: Select: Demo:
 
  1. Juggers Coming! Todd Boekelheide 01:50 0.99 $        Juggers Coming!
  2. Main Title Todd Boekelheide 03:07 0.99 $        Main Title
  3. A Game at Samchin Todd Boekelheide 03:23 0.99 $        A Game at Samchin
  4. Party, Party, Party! Todd Boekelheide 02:28 0.99 $        Party, Party, Party!
  5. Dog Boy's Pain Todd Boekelheide 00:53 0.99 $        Dog Boy's Pain
  6. Leaving Home Todd Boekelheide 00:49 0.99 $        Leaving Home
  7. Enforcement Todd Boekelheide 02:13 0.99 $        Enforcement
  8. Watching, Waiting Todd Boekelheide 01:16 0.99 $        Watching, Waiting
  9. Kidda Stands Up Todd Boekelheide 01:19 0.99 $        Kidda Stands Up
10. Tested Todd Boekelheide 01:30 0.99 $        Tested
11. A Struggle, A Triumph Todd Boekelheide 04:40 0.99 $        A Struggle, A Triumph
12. One Eye From Blind Todd Boekelheide 01:51 0.99 $        One Eye From Blind
13. Fear of the Red City Todd Boekelheide 02:44 0.99 $        Fear of the Red City
14. The First Sixty Stones Todd Boekelheide 03:23 0.99 $        The First Sixty Stones
15. Hang On Todd Boekelheide 04:56 0.99 $        Hang On
16. The Juggers of Doom Todd Boekelheide 07:52 0.99 $        The Juggers of Doom
 
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This is dark and gritty music for a post-apocalyptic action film, starring Rutger Hauer and Joan Chen. When I started work on the score, I knew I wanted to find a "future-primitive" sound that would feel like it belonged in that blasted world, so I began building sounds: most of the percussion originated as recordings of junk being thrown around and smashed in a basement, and many of the melodic sounds came from bowed metal and wood. I turned to the orchestra only for brass and strings.

The story is set in a place and time in which lost cultures are rediscovered by literally digging in the dirt, and you're as likely to come across a pair of semi-functional accordions as a harmonica or a pair of Moroccan qakabas. With such a fluid culture as a setting, I had the freedom to use a long-standing interest in world music as a significant stylistic element in the score. In particular, the rhythmic basis of much of the music is 12/8 time, which is a favorite meter in the African music I've studied and played.
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