Steve Layton
The Composer Plays III: Works for Imaginary...
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Steve Layton - The Composer Plays III:  Works for Imaginary Piano
Title: The Composer Plays III: Works for Imaginary Piano MP3, WMA, MPC, OGG, M4A, FLAC
Artist: Steve Layton
(c): (C) 2004 Steve Layton
(p): (P) 2004 Steve Layton (ASCAP)
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Digital release date:
10.08 $
2004-03-02

Track: Artist: Length: Price: Select: Demo:
 
  1. And Then It Rained Steve Layton 04:07 0.99 $        And Then It Rained
  2. Jeff Harrington - BlueStrider Steve Layton 11:19 0.99 $        Jeff Harrington - BlueStrider
  3. Pegasus Steve Layton 05:31 0.99 $        Pegasus
  4. Harbisong Steve Layton 03:18 0.99 $        Harbisong
  5. Appearances and Disappearances Steve Layton 09:48 0.99 $        Appearances and Disappearances
  6. Kolokola and Apaches Steve Layton 06:04 0.99 $        Kolokola and Apaches
  7. Dasamuka Steve Layton 03:12 0.99 $        Dasamuka
  8. Unseen Figure Steve Layton 05:12 0.99 $        Unseen Figure
  9. Hanuman Steve Layton 03:24 0.99 $        Hanuman
10. Iannis Xenakis - Evryali Steve Layton 08:45 0.99 $        Iannis Xenakis - Evryali
11. American Ghost Song Steve Layton 03:48 0.99 $        American Ghost Song
 
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Subtle, strong and absolutely musical realizations of both "possible" and "impossible" contemporary piano music.

Continuing his exploration of composition and performance with "virtual" piano, composer Steve Layton (b. 1956) offers the third in his series of "The Composer Plays" CDs. For the first time in the series, in addition to his own works Layton here performs compositions by two other excellent composers: New Yorker Jeff Harrington (b. 1955), and the late master Iannis Xenakis (1922-2001).

Harrington's "BlueStrider" is a pounding monster of a piece, with the drama and contrapuntal skill of Beethoven and Stravinsky married with Harrington's own New Orleans barrel-house-blues roots. Obsessive riffs weave their way through both iron-clad logic and exuberance.

Xenakis' "Evryali" is one of the pianistic monuments of the late 20th century, full of fearsome blocks of sound and densely intertwining branches of pulsing lines; so dense at times that virtually no single pianist can manage all of the notes in places. Layton's own "virtual" realization allows all of what Xenakis wrote to be heard just as he wrote it.

Layton's own music is sometimes extremely complex, other times deceptively simple, with the full gamut of moods, colors, tonality and chromaticism; a kind of delerious and unpredictable "hyper-romanticism", yet with a kind of deep formal structure. He often attempts to integrate "impossible" kinds of pianism with the traditionally possible, in a seamless fashion that makes those kinds of distinctions melt away into the simple intensity of the musical experience.

No musical keyboard was touched for any of these performances; yet each is an absolutely convincing and real musical experience, with each note crafted by the mind and "touch" of the composer himself.
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